4 Days in Barcelona, Spain

Parc Güell is a privatized park system composed of gardens and architectural elements located on Carmel Hill, in Barcelona. Carmel Hill belongs to the mountain range of Collserola – the Parc del Carmel is located on the northern face. Park Güell is located in La Salut, a neighborhood in the Gràcia district of Barcelona. With urbanization in mind, Eusebi Güell assigned the design of the park to Antoni Gaudí, a renowned architect and the face of Catalan modernism.

The park was built from 1900 to 1914 and was officially opened as a public park in 1926. In 1984, UNESCO declared the park a World Heritage Site under "Works of Antoni Gaudí".

The former Hospital de la Santa Creu i Sant Pau (Hospital of the Holy Cross and Saint Paul) is a complex built between 1901 and 1930. It is one of the most prominent works of the Catalan modernisme architect Lluís Domènech i Montaner. The complex was listed as a Conjunto Histórico in 1978. Together with Palau de la Música Catalana, it is declared a UNESCO World Heritage Site in 1998.

Being composed of 12 pavilions connected through long underground galleries within its large green space, Sant Pau is the largest complex built in the Art Nouveau style It was a fully functioning hospital until June 2009, when the new hospital opened next to it, before undergoing restoration for use as a museum and cultural center, which opened in 2014.

Besides being an important historical and architectural masterpiece, the building also offers workspaces for high-profile social organizations such as WHO, Banco Farmacéutico, Barcelona Health Hub, EMEA, UN-HABITAT, and more. The cultural center also has a historical archive in which the records and documents of remarkable occurrences related to the hospital and the city can be found. The archives are open for visiting and offer information to users and researchers with the information and reprographics service, in addition to a reading room.

The Basílica i Temple Expiatori de la Sagrada Família (Basilica of the Holy Family) is a large unfinished church building, and the largest unfinished Roman Catholic church. Designed by the Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica.

On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete.

Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings, and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed with intermittent progress in the 1950s. Advancements in technologies such as computer-aided design and computerized numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolizing an important Biblical figure in the New Testament. It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death, but this has now been delayed due to the COVID-19 pandemic.

The basilica has a long history of splitting opinions among the residents of Barcelona: over the initial possibility, that it might compete with Barcelona's Cathedral, over Gaudí's design itself, the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel nearby as part of Spain's high-speed rail link to France, possibly disturbing its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral).

Casa Batlló was designed by Antoni Gaudí, and is considered one of his masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. Gaudí's assistants Domènec Sugrañes i Gras, Josep Canaleta and Joan Rubió also contributed to the renovation project.

The local name for the building is Casa dels ossos (House of Bones), as it has a visceral, skeletal organic quality. It is located on the Passeig de Gràcia in the Eixample district, and forms part of a row of houses known as the Illa de la Discòrdia (or Mansana de la Discòrdia, the "Block of Discord"), which consists of four buildings by noted Modernista architects of Barcelona.

Like everything Gaudí designed, Casa Batlló is only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, has unusual tracery, irregular oval windows, and flowing sculpted stone work. There are few straight lines, and much of the façade is decorated with a colorful mosaic made of broken ceramic tiles (trencadís). The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of the center, terminating at the top in a turret and cross, represents the lance of Saint George (patron saint of Catalonia, Gaudí's home), which has been plunged into the back of the dragon.

In 2005, Casa Batlló became a UNESCO World Heritage Site among the other Works of Antoni Gaudí and is visited by people from around the world.

Casa Amatller is a building in the Modernisme style designed by renowned Catalan architect Josep Puig i Cadafalch. Along with Casa Batlló and Casa Lleó-Morera, it makes up the three most important buildings in Barcelona's famous Illa de la Discòrdia ("Block of Discord"), noted for its unique, contrasting modern buildings.

The building was originally constructed in 1875, then redesigned as a residence for a wealthy chocolatier and archaeological enthusiast Antoni Amatller between 1898 and 1900. After his death in 1910, it remained the home of Amatller's daughter until her death in 1960. The continuous ownership by the Amatller family meant that the house's interior of 1900 has remained largely preserved intact to the present day. It now serves as a historic house museum, café, and the Amatller Institute for Hispanic Art, a scholarly study center. The house is regularly open for scheduled tours.

Casa Milà, popularly known as La Pedrera or "The stone quarry", a reference to its unconventional rough-hewn appearance, is a Modernista building in Barcelona. It was the last private residence designed by architect Antoni Gaudí and was built between 1906 and 1912.

The building was commissioned in 1906 by Pere Milà and his wife Roser Segimon. At the time, it was controversial because of its undulating stone facade, and twisting wrought iron balconies, and was designed by Josep Maria Jujol. Several structural innovations include a self-supporting stone façade, a free-plan floor, an underground garage, and a spectacular terrace on the roof.

In 1984, it was declared a World Heritage Site by UNESCO. Since 2013 it has been the headquarters of the Fundació Catalunya La Pedrera which manages the visit to the building, exhibitions, and other cultural and educative activities at Casa Milà.

The Mercat de Sant Josep de la Boqueria, or simply, La Boqueria, is a large public market in the Ciutat Vella district of Barcelona. The market is one of the city's foremost tourist landmarks, with an entrance from La Rambla, not far from the Liceu, Barcelona's opera house. The market has a very diverse selection of goods and is considered one of the must-see and taste in the city.

La Rambla is one of the most famous streets in Spain. A tree-lined pedestrian street, it stretches for 1.2 km (0.75 mi) connecting the Plaça de Catalunya in its center with the Christopher Columbus Monument at Port Vell. La Rambla forms the boundary between the neighborhoods of the Barri Gòtic to the east and the El Raval to the west.

La Rambla can be crowded, especially during the height of the tourist season. Its popularity with tourists has affected the character of the street, which has shifted in composition to pavement cafes and souvenir kiosks. It has also suffered from the attention of pickpockets.

The Spanish poet Federico García Lorca once said that La Rambla was "the only street in the world which I wish would never end."

Sights

The tree-lined central promenade of La Rambla is crowded during the day and until late at night. Its origins as a watercourse are reflected in the paving design, which appears to ripple like water. Along the promenade's length are kiosks that sell newspapers and souvenirs, other kiosks selling flowers, street traders, performers, and pavement cafes and bars. Several notable sights are also located within the promenade, including a mosaic by Joan Miró and the Font de Canaletes, a fountain, and a popular meeting point.

Along the Rambla are historic buildings such as the Palace of the Virreina and the Liceu Theater (Liceo), in which operas and ballets are staged. The La Boqueria market opens off the Rambla and is one of the city's foremost tourist landmarks, housing a very diverse selection of goods.

One of the side streets, which is only a few meters long, leads to the Royal Square (Plaça Reial), a plaza with palm trees and porticoed buildings containing many pubs and restaurants, and where stamp and coin collectors gather on the weekends.

Palau de la Música Catalana is a concert hall designed in the Catalan modernista style by the architect Lluís Domènech i Montaner. It was built between 1905 and 1908 for Orfeó Català, a choral society founded in 1891 that was a leading force in the Catalan cultural movement that came to be known as the Renaixença (Catalan Rebirth). It was inaugurated on 9 February 1908.

The construction project was mainly financed by Orfeó Català, but important financial contributions also came from Barcelona's wealthy industrialists and bourgeoisie. The palace won the architect an award from the Barcelona City Council in 1909, given to the best building built during the previous year. Between 1982 and 1989, the building underwent extensive restoration, remodeling, and extension under the direction of architects Oscar Tusquets and Carles Díaz. In 1997, the palace de la Música Catalana was declared a UNESCO World Heritage Site along with Hospital de Sant Pau. Today, more than half a million people a year attend musical performances in Palau that range from symphonic and chamber music to jazz and Cançó (Catalan song).

The Museu Picasso houses an extensive collection of artworks by the twentieth-century Spanish artist Pablo Picasso, with a total of 4251 of his works. It is housed in five adjoining medieval palaces on Montcada Street in the La Ribera neighborhood in the Old City of Barcelona.

It opened to the public on 9 March 1963, becoming the first museum dedicated to Picasso's work and the only one created during his lifetime. It has since been declared a museum of national interest by the Government of Catalonia.

Highlights of the collection include two of his first major works, The First Communion (1896), and Science and Charity (1897). In particular, the Museu Picasso reveals Picasso's relationship with the city of Barcelona, a relationship that was shaped in his youth and adolescence and continued until his death.

Santa Maria del Mar ("Saint Mary of the Sea") was built between 1329 and 1383 at the height of the Principality of Catalonia's maritime and mercantile preeminence. It is an outstanding example of Catalan Gothic, with a purity and unity of style that is very unusual in large medieval buildings.

The church's opening hours are limited, however, if it is closed, it is still well-worth taking some time to appreciate the architecture of the exterior.

Exterior

From the outside, Santa Maria gives an impression of massive severity that belies the interior. It is hemmed in by the narrow streets of the Ribera, making it difficult to obtain an overall impression, except for the Fossar de les Moreres and the Plaça de Santa Maria, both of them former burial grounds. The latter is dominated by the west end of the church with its rose window. Images of Saint Peter and Saint Paul occupy niches on either side of the west door, and the tympanum shows the Saviour flanked by Our Lady and Saint John.

The northwest tower was completed in 1496, but its companion was not finished until 1902.

Interior

In contrast with the exterior, the interior gives an impression of light and spaciousness. It is of the basilica type, with its three aisles forming a single space with no transepts and no architectural boundary between nave and presbytery. The simple ribbed vault is supported on slender octagonal columns and abundant daylight streams through the tall clerestory windows.

The interior is almost devoid of imagery of the sort to be found in Barcelona's other large Gothic churches, the cathedral, and Santa Maria del Pi, after the fire which occurred in 1936 during anticlerical disturbances. Amongst the most notable of the works destroyed at that time was the Baroque retable by Deodat Casanoves and Salvador Gurri.

The Cathedral of the Holy Cross and Saint Eulalia, also known as Barcelona Cathedral, is the Gothic cathedral and seat of the Archbishop of Barcelona. The cathedral was constructed from the thirteenth to fifteenth centuries, with the principal work done in the fourteenth century. The cloister, which encloses the Well of the Geese (Font de les Oques), was completed in 1448. In the late nineteenth century, the neo-Gothic façade was constructed over the nondescript exterior that was common to Catalan churches. The roof is notable for its gargoyles, featuring a wide range of animals, both domestic and mythical.

Its form is pseudo-basilica, vaulted over five aisles, the outer two divided into chapels. The transept is truncated. The east end is a chevet of nine radiating chapels connected by an ambulatory. The high altar is raised, allowing a clear view into the crypt.

The cathedral is dedicated to Eulalia of Barcelona, co-patron saint of Barcelona, a young virgin who, according to Catholic tradition, suffered martyrdom during Roman times in the city. One story says that she was exposed naked in the public square and a miraculous snowfall in mid-spring covered her nudity. The enraged Romans put her into a barrel with knives stuck into it and rolled it down a street (according to tradition, the one now called Baixada de Santa Eulàlia). The body of Saint Eulalia is entombed in the cathedral's crypt.

The choir stalls retain the coats-of-arms of the knights of the Order of the Golden Fleece. On his first trip to Spain, Charles, the future Holy Roman Emperor, selected Barcelona as the site of a chapter of his Order. The king had arrived for his investiture as Count of Barcelona, and the city, as a Mediterranean port, offered the closest communication with other far-flung Habsburg dominions, while the large proportions of the cathedral would accommodate required grand ceremonies. In 1518 the Order's herald, Thomas Isaac, and its treasurer, Jean Micault, were commissioned to prepare the sanctuary for the first sitting of the chapter in 1519. Juan de Borgonya executed the painted decoration of the sanctuary.

The side Chapel of the Holy Sacrament and of the Holy Christ of Lepanto contains a cross said to date from the time of the Battle of Lepanto (1571).

In addition to Saints Eulàlia and Olegarius, the cathedral contains the tombs of Saint Raymond of Penyafort, Count Ramon Berenguer I and his third wife Almodis de la Marche, and bishops Berenguer de Palou II, Salvador Casañas y Pagés, and Arnau de Gurb, who is buried in the Chapel of Santa Llúcia, which he had constructed.

The cathedral has a secluded Gothic cloister where 13 white geese are kept, the number explained by the assertion that Eulalia was 13 when she was martyred.

A program of cleaning and restoration of the cathedral was carried out from 1968–72.

The cathedral has been updated in response to an increasing number of tourists. The cloister now contains a gift shop, the traditional candles normally lit at the shrines of saints have been replaced with electronic candles, and cellular phones have been banned from the Chapel of Lepanto and other chapels.

The Gothic Quarter is the historic centre of the old city of Barcelona. It stretches from La Rambla to Via Laietana, and from the Mediterranean seafront to the Ronda de Sant Pere.

The quarter encompasses the oldest parts of the city of Barcelona, and includes the remains of the city's Roman wall and several notable medieval landmarks. Much of the present-day fabric of the quarter, however, dates to the 19th and early 20th centuries. El Call, the medieval Jewish quarter, is located within this area, along with the former Sinagoga Major.

The Barri Gòtic retains a labyrinthine street plan, with many small streets opening out into squares. Most of the quarter is closed to regular traffic although open to service vehicles and taxis.

Landmarks

Among the principal buildings with rebuilt or modified with neo-Gothic additions are:

The façade of the Barcelona Cathedral: constructed between 1882 and 1913 by Josep Oriol Mestres and August Font i Carreras with a profusion of Gothic-style elements.
Building of the Centre Excursionista de Catalunya (English: Hiking Center of Catalonia) on Carrer Paradís: work by Lluís Domènech i Montaner carried out in 1922 on a building of uncertain origins, to which he added Gothic windows, battlements, and merlons.
The Flamboyant-style bridge that crosses Carrer Bisbe between the Palau de la Generalitat and the Cases dels Canonges: newly constructed 1928 by Joan Rubió.
Casa Padellàs: currently the Barcelona City History Museum headquarters, the building was built circa 1500 on Carrer Mercaders, but it was moved to the Plaça del Rei in 1931 with its interior rebuilt.
Aguilar Palace: present-day Museu Picasso (Carrer Montcada), restored by Adolf Florensa in 1959, who added galleries with arches and Gothic windows.
Pignatelli Palace: present-day Royal Artistic Circle of Barcelona, restored in 1970 including the addition of various Gothic windows retrieved from municipal warehouses.

The Palau Güell is a mansion designed by the architect Antoni Gaudí for the industrial tycoon Eusebi Güell, and was built between 1886 and 1888. It is part of the UNESCO World Heritage Site "Works of Antoni Gaudí".

The home is centered around the main room for entertaining high society guests. Guests entered the home in horse-drawn carriages through the front iron gates, which featured a parabolic arch and intricate patterns of forged ironwork resembling seaweed and in some parts a horsewhip. Animals could be taken down a ramp and kept in the livery stable in the basement where the servants resided, while the guests went up the stairs to the receiving room. The ornate walls and ceilings of the receiving room disguised small viewing windows high on the walls where the owners of the home could view their guests from the upper floor and get a "sneak peek" before greeting them, in case they needed to adjust their attire accordingly.

The main party room has a tall ceiling with small holes near the top where lanterns were hung at night from the outside to give the appearance of a starlit sky.

In 2004, visits by the public were completely suspended due to renovations; some of the stone used in the original construction was weak and had cracked over the years causing structural problems within the building. It is currently completely open, with all restoration work completed in April 2011.

It was used in Antonioni's film The Passenger as a backdrop for the first meeting between Jack Nicholson and Maria Schneider.

The Poble Espanyol (in English, Spanish town) is an open-air architectural museum in Barcelona. Built for the 1929 Barcelona International Exposition, the museum consists of 117 full-scale buildings replicated from different places in the Iberian Peninsula, joined to form a small town recreating urban atmospheres of disparate places in Spain. It also contains a theater, restaurants, artisan workshops, and a museum of contemporary art.

The Montjuïc Communications Tower (or in Catalan: Torre de Comunicacions de Montjuïc), is a telecommunication tower that was designed by Santiago Calatrava, with construction taking place from 1989 to 1992. The white tower was built for Telefónica to transmit television coverage of the 1992 Summer Olympic Games in Barcelona. The 136-meter (446 ft) tower is located in the Olympic park and represents an athlete holding the Olympic Flame.

The base is covered with trencadís, Gaudí's mosaic technique created from broken tile shards.

Sundial

Because of the tower's orientation, it works also as a giant sundial, which uses Europa Square to indicate the hour.

Take a lovely walk at Mirador del Migdia, a magnificent park with a spectacular view. Parc del Migdia also provides places to sit, have a picnic, eat and relax. It is a great place to take some rest before you continue your bust travel day.

Montjuïc Castle is an old military fortress, with roots dating back from 1640, built on top of Montjuïc hill in Barcelona, Catalonia, Spain. It currently serves as a Barcelona municipal facility.

The castle is infamous in Catalan history books because of its role in the civil war from 1936 to 1939, when both sides of the conflict imprisoned, tortured, and shot political prisoners at Montjuïc.

The castle can be accessed by the Montjuïc cable car, a gondola lift that has its upper station near the castle entrance and connects, via the Montjuïc funicular, with the Barcelona Metro at Paral·lel station.

The Montjuïc Cable Car (officially Telefèric de Montjuïc) is a gondola lift, that runs from a lower terminus adjacent to the Montjuïc Park upper station of the Montjuïc funicular, and climbs higher up the Montjuïc hill to a terminal near the Montjuïc Castle on the summit of the hill. At its midpoint, the line executes a 90-degree turn and the cabins pass through Mirador station, although only down-bound cabins stop at this point.

The cable car line is 752 m (2,467 ft) in length and climbs a vertical distance of 84.55 m (277.4 ft) at a speed of 2.5 m/s (8.2 ft/s). The cars slow to a crawl as they pass through the station to allow passengers to board or exit. Two cars are equipped with the facility to carry wheelchairs.

After a lovely ride with a charming panoramic view, take off from the Montjuïc Cable Car and move on to your next destination.

The Fundació Joan Miró ("Joan Miró Foundation, Centre of Studies of Contemporary Art") is a museum of modern art honoring Joan Miró.

The idea for the foundation was made in 1968 by Joan Miró. Miró formed the foundation with his friend Joan Prats. Miró wanted to create a new building that would encourage particularly younger artists to experiment with contemporary art. The building was designed by Josep Lluís Sert to ensure that this work could also be made available to the public and exhibited. He designed the building with courtyards and terraces to create a natural path for visitors to move through the building.

Collection

In line with Miró's original idea the Foundation has a space named "Espai 13" which is dedicated to promoting the work of young experimental artists. Many curators have been in charge of that program, including Frederic Montornes, Monica Regàs, and Ferran Barenblit, who was later Director of MACBA. Although there is also work by Peter Greenaway, Chillida, René Magritte, Rothko, Tàpies and Saura.

The collection includes Alexander Calder's 4 Wings and Mercury Fountain. The Mercury Fountain uses the liquid metal mercury to create a fountain. As mercury is poisonous, the fountain is kept behind glass to protect the visitors.

The museum uses QRpedia to allow visitors to read Wikipedia articles about objects in the collection, translated into their preferred language

The Museu Nacional d'Art de Catalunya (abbreviated as MNAC) is a fantastic museum, dedicated to Catalan visual art. The museum is especially notable for its outstanding collection of romanesque church paintings, and for Catalan art and design from the late 19th and early 20th centuries, including modernisme and noucentisme.

The museum is housed in the Palau Nacional, a huge, Italian-style building dating to 1929. The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. That same year, a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995 (when the Romanesque Art section was reopened) to 2004. The Museu Nacional d'Art de Catalunya (Museu Nacional) was officially inaugurated on 16 December 2004. It is one of the largest museums in Spain.

The Barcelona Pavilion (Pavelló alemany; Pabellón alemán; "German Pavilion"), designed by Ludwig Mies van der Rohe and Lilly Reich, was the German Pavilion for the 1929 International Exposition in Barcelona. This building was used for the official opening of the German section of the exhibition. It is an important building in the history of modern architecture, known for its simple form and its spectacular use of extravagant materials, such as marble, red onyx, and travertine. The same features of minimalism and spectacular can be applied to the furniture specifically designed for the building, including the Barcelona chair. It has inspired many important modernist buildings.

The Magic Fountain of Montjuïc (Catalan: Font màgica de Montjuïc, Spanish: Fuente mágica de Montjuic) is a fountain located at the head of Avinguda Maria Cristina in the Montjuïc neighborhood. The fountain, like most of the surrounding developments, was constructed for the 1929 Barcelona International Exposition.

The spectacular fountain sprays 700 gallons of water a second through 3620 jets to create its effect. The highest water spout is 170 feet.

In the 1980s, music was incorporated with the light show and the fountain, along with the Museu Nacional (National Museum), was completely restored prior to the 1992 Summer Olympics, held at Montjuïc. Performances include film, classical, and modern music, such as The Godfather, The Lord of the Rings, Gladiator, a Spanish zarzuela movement, "Barcelona" by Freddie Mercury, and Montserrat Caballé, and modern pop songs. Performances take place at half-hour intervals every weekend, with weekends extended during the summer season.

Camp Nou ('new field') is a football stadium in Barcelona and the home stadium of FC Barcelona since its completion in 1957. With a current seating capacity of 99,354, it is the largest stadium in Spain and Europe, and the fourth largest association football stadium in the world.

It has hosted two European Cup/Champions League finals in 1989 and 1999, two European Cup Winners' Cup finals, four Inter-Cities Fairs Cup final games, five UEFA Super Cup games, four Copa del Rey finals, two Copa de la Liga finals, and twenty-one Supercopa de España finals. It also hosted five matches in the 1982 FIFA World Cup (including the opening game), two out of four matches at the 1964 European Nations' Cup, and the football tournament's final at the 1992 Summer Olympics.

Development

The stadium's capacity has varied greatly over the years, opening at 106,146, but growing to 121,401 for the 1982 FIFA World Cup.

Apart from hosting Barcelona, Camp Nou is home to the Catalan team. The stadium is frequently used for other football events. The European Cup final between Milan and Steaua București was held on 24 May 1989, with the Italian club winning 4–0. Camp Nou hosted part of the football competition, including the final, in the 1992 Summer Olympics. In preparation for these matches, two additional tiers of seating were installed over the previous roof line.

Camp Nou underwent little change after 1982, except for the opening of the club museum in 1984. The stadium was renovated in 1993–94, in which the pitch was lowered by 2.5 meters (8 feet), the security gap that separated the lawn from the galleries was removed, and the standing room was eliminated in favor of individual seating. A new press box, renovation of the presidential grandstand and boxes, new parking under the main grandstand, and new lighting and sound systems were completed in time for the 1998–99 season. During 1998–99, UEFA rated Camp Nou a five-star stadium for its services and functionalities.

The facilities now included a memorabilia shop, mini-pitches for training matches, and a chapel for the players. The stadium also houses the second-most visited museum in Catalonia, FC Barcelona Museum, which receives more than 1.2 million visitors per year.

Casa Vicens is a modernist building by architect Antoni Gaudí and is considered to be his first major project. It was built between 1883 and 1885, although Gaudí drew up the initial plans between 1878 and 1880. The work belongs to the orientalist style, similar to Neo-Mudéjar architecture, although interpreted in Gaudí’s own personal way, with a uniqueness that only he knew how to add to his projects. In this work, and for the first time, Gaudí outlined some of his constructive resources that would become regular features throughout the emergence of Modernism. The work was widely discussed when it was built and caused a great sensation among the general public at the time. When the building was constructed, Gràcia was still an independent urban nucleus of Barcelona; it had its own council and was classified as a town, though nowadays it is a district of the city.

The original project had a large garden area, in addition to the house, but over time the land was subdivided and sold for the construction of residential buildings. Nowadays, the property has been reduced to the house and a small surrounding area. To take advantage of the space, Gaudí designed three facades, with the house attached by a dividing wall to an adjoining convent. In 1925 an extension of the house was planned, a commission that was offered to Gaudí, which he declined. Instead, he passed it to one of his protégés, Joan Baptista Serra, who built an extension following Gaudí’s original style, with the inclusion of a new facade, resulting in the building being fully detached.

The work belongs to Gaudí’s orientalist period (1883-1888), an era in which the architect made a series of works with a distinctly oriental flavor, inspired by the art of the Near and Far East (India, Persia, Japan), as well as Hispanic Islamic art, such as Mudéjar and Nasrid. During this period, Gaudí used an abundance of ceramic tiling to decorate his work, as well as Moorish arches, columns of exposed brick, and temple-shaped or dome-shaped finishes.

The building was declared a Historic-Artistic Monument in 1969, an Asset of Cultural Interest in 1993, and a World Heritage Site in 2005.

Tibidabo is a hill overlooking Barcelona, at 512 meters (1,680 ft), it is the tallest hill in the Serra de Collserola. Rising sharply to the northwest, it has views over the city and the surrounding coastline.

The summit of the hill is occupied by the Sagrat Cor church and adjacent Tibidabo Amusement Park. The Torre de Collserola telecommunications tower is a short walk away. All three are prominently visible from most of the city of Barcelona. Designed by Enric Sagnier, the church was started in 1902 and took 60 years to complete. It is topped with a sculpture of the Sacred Heart of Jesus by Josep Miret Llopart.

Tibidabo can be reached by road or via the Tibidabo Funicular, which was the first of its kind in Spain, and by the Tramvia Blau. Funicular operations recommenced in June 2021 after modernization, however, the tramway remains out of service. Replacement bus TC2 connects Tibidabo with Avinguda de Tibidabo Metro station. The Transports Metropolitans de Barcelona minibus service 111 connects it to Vallvidrera village and the upper station of the Vallvidrera funicular.